Rhetoric CFPs & TOCs

Rhetoric CFPs & TOCs
Photo: Kristoffer Trolle (creative commons)

Monday, January 30, 2017

CFP: Flow Special Issue: Women & Television Comedy: A Tribute to Mary Tyler Moore


From her roles as Laura Petrie to Mary Richards, Mary Tyler Moore brought a modern, sophisticated woman to the situation comedy who was educated, independent, and assertive. Not only were The Dick Van Dyke Show (1961-1966) and The Mary Tyler Moore Show (1970-1977) critical and commercial successes, but they were also landmark series in the development of the U.S. sitcom. These series critically engaged with contemporary women’s issues and pushed the boundaries of female representation; Laurie Petrie presented a wife who was in many ways her husband’s partner and equal, while Mary Richards embodied the single, independent working woman of the 1970s. Through Moore’s iconic comedy, feminism found a home on primetime television, laying the groundwork for the future of funny women on television.

This Special Issue of Flow serves not only to reflect on the legacy of Mary Tyler Moore as a producer, star, and icon, but also to consider the continuing role, influence, and politics of women in sitcoms, and in comedy more broadly. In the Age of Trump, we might also think about the power of comedy to serve as a vibrant space for feminist discourse and activism. We welcome submissions that consider any of the following topics related to Moore and her legacy:

The Dick Van Dyke Show, its importance and its influence The Mary Tyler Moore Show, its importance and its influence Television wives and mothers Family sitcoms Gender in workplace comedies and workplace families Quality television and the MTM Style Women in situation comedies or comedy more broadly Feminism and primetime television Moore and stardom The politics of TV comedy Women’s TV roles and Women’s Movements Domesticity and Domestic TV Spaces/Roles Clothing, style, and feminism

To be considered for inclusion in this Special Issue, please send completed short essays of 1000-1500 words, along with at least three image (.png) or video files and a short author bio, to Selena Dickey at flowjournaleditors@gmail.com by Monday February 13.  The Special Issue will be published at flowjournal.org on Monday February 20.

Call for Editor for Special Issue of Advances in the History of Rhetoric

Tara Wambach, wamb0014@umn.edu

Call for Editor for Special Issue of Advances in the History of Rhetoric

Advances in the History of Rhetoric (AHR) invites proposals for a special issue, to be published as the Spring issue of 2018. The specific subject of the special issue is open. In keeping with the scope of AHR, however, the subject should be treated historically or related to history; the proposed subject need not, however, be limited to a particular historical era. The evolution of an important rhetorical concept or concepts would fit within the guidelines, as would reflections on our methods or on canon formation or on historiography itself. The special issue will be limited to 45,000 words so we envision 5-8 essays and an introduction written by the editor of special issue. Proposals are due 15 March 2017.

Proposals should be about 500 words and address the following concerns:

Co-editor (with AHR editor) of the issue. (If you are not proposing yourself, be sure the person proposed is committed to co-editing.)

Subject of the issue.

Rationale (50-100 words): Why is attention to subject needed? What makes subject timely?

Contributors: Names, Affiliations.

Tentative Titles of the Proposed Essays, with brief (50 word) descriptions of each essay.

Schedule:
Proposals Due: March 15, 2017
Manuscripts due: 15 January 2018
If revision is needed, Revised manuscripts due: 15 April Manuscripts would go into production in May for publication in June 2018.
Proposals and ultimately essays will be reviewed by an editorial committee.

Peer Evaluation of Class Participation

From: https://tomprof.stanford.edu/


This memo describes a mechanism for evaluating class participation in courses where it matters, refined and developed over a couple of decades but surely not perfected.

Background

Plenary sessions of a college or graduate course are increasingly regarded as an opportunity for the students to apply and explore the tools and content of the curriculum collaboratively  (cf “Flipped Classroom” literature, eg http://www.knewton.com/flipped-classroom/

Examples include “case-method” teaching (business or law school versions), multiple small-group discussions with coaching, and any discussion-based classroom pedagogy.   This memo does not review the many reasons nor contexts in which learning is best accomplished as a collaborative, social process.

Why?

In this learning environment, students teach each other extensively, and a course grade (to be fair, and to send the right signals) must in part reflect their respective success at doing this.  Furthermore, college and graduate students have been socialized extensively to believe that flattering the prof will be good for them, and commonly fear that course grades are zero-sum, so they can advance only at the expense of others.   A lot of learned behavior and expectations have to be undermined.

I also take as given that the correct criterion for this part of a grade is student’s contribution to the learning of others.  The problem this criterion presents is that it cannot be observed outside the heads of those doing the learning, and proxy indicators like “how often student A’s  contributions match what I (the prof) believe to be correct” are compromised by my ego  and anyway say nothing about the value those contributions are, or are not, creating for other students.

On the principle that I have the right to demand information (like answers on exams) that I need to make a fair performance evaluation, I demand information about their learning from others.  In response to student preference that I grade class performance–that they are diffident about ‘grading each other’–I’m happy to say “of course I assign this grade, like any other grade.  But you have to give me the information with which I can do so.”  I suggest to students who believe they can learn without others that they will do better on the web and in the library, and not to take the course.

Finally, as Lauren Resnick pithily observed, “in school, collaboration is cheating; in the workplace, it’s essential”.  When I write letters of recommendation, I often have occasion to include the following text, and I think it has a good effect:

Student X took my course Y in semester Z [paper, projects, yada yada] ….In this course, class participation counts for 00% of the grade [varies from 25% to 40%] and is assessed by the other students in a confidential survey.   Wallflowers, unprepared students, and air hogs tend to do poorly on this element.  X received a CP grade [of  G/in the top 00% of the class], and I consider this an indicator of real leadership potential.

Survey

Twice during the semester and a third time at the end, I circulate an Excel spreadsheet  with two alphabets of named rows, distinguished by color (example in Appendix A). The students are instructed to record a score from 1 to 5 for each other student, in the second alphabet for (i) students in their section (ii) students who critiqued their paper drafts (iii) students from whom they received a draft to critique, and in the first for everyone else.  Scores must total 3N for a course of N students.   They give themselves 7 in the second alphabet.  

A few wiseguys occasionally give everyone the same grade:  I discard their scores as uninformative (which costs them their own 7). I calculate the mean scores for each student in each panel (I usually have a GSI copy the score column from each response into a master spreadsheet), weight the means in the second alphabet 1.5 to 2x the scores in the first, and sum them into a total score.   I order the names by total score, alphabetize the names within quartiles (or terciles, depending on the size of the class–no reason someone should be at the very top or very bottom of a list like this), and publish the resulting list (without numerical scores).

The first two rounds of this survey don’t count for grades, but are purely advisory; the last one counts. With the GSI’s (teaching assistants), I assign a letter grade to the student receiving the lowest score, and the other grades go up from there to A or A+.  In principle, and often nearly in fact, everyone can get a very high grade.

Ancillary practices

Some standard discussion management practices should be recalled here, because a grading system is not independent of other elements of a course’s culture.

A lecture hall is not a discussion classroom.  Students need to see each other’s faces, and need name cards, every day, with names on the front and back.  Early in the semester, it’s necessary to bring markers and card stock to class daily, and invite every student without a name card down to the front of the class to make herself another, in a nice way.   You need to learn the names. A good trick for this is to go around the room with a video camera one day, having each student hold up his name card and say his name and ‘one interesting fact about yourself’;  a few times through this tape and you will have the names cold.

Peer CP grading requires additional practices to signal and reinforce what’s sought and why, and repetition is very important here.  For example, post the video described above on the course website for the students to use. The idea that students are responsible for the learning of others is not a model they slip into easily. I like to emphasize the devious incentives to help others improve their performance built into the grading rule.

Everything about this peer grading process must be transparent to the students, except who gave whom what score. All the information in this memo is shared with the students, sometimes more than once, in the syllabus and in class, from the start of the course.

I do not require attendance.   I tell the students that they are grownups, and if they have more to gain being somewhere else they should definitely be there.  But I record attendance carefully and include it on the survey form, with instructions to use it as they wish, or not at all.  Attendance in courses graded in this fashion hovers around 95%; this is probably higher than my own lifetime “showing up for important stuff” rate.  I also tell them that everyone misses a class now and then, but if they have to it’s polite to email the class explaining why so people don’t get the wrong idea.  They are quite reluctant to do this. Some still email me for permission to miss class, and just I tell them they’re not there for my benefit and I’m not in charge of that “permission” either way.

I tell the students that grownups use laptops in important meetings and that others will probably be happy if they find something on the web in the middle of class that advances the discussion (this is fairly common).   They figure out on their own pretty quickly that reading email or bidding on Ebay with their name card right in front of them, and three or four students beside and behind them who will be grading their CP, is not a good idea, and I have not had any problem with laptops or phones in class.

Students sometimes ask me for criteria to use in scoring.  I tell them that unlike an exam, there’s no reason everyone’s performance should be assessed the same way by everyone, as people learn in different ways and use different gifts to teach.  But I distribute a list of criteria students have found useful, especially to broaden their scope (Appendix B).

Almost immediately, someone grousing about the process will use language like “I don’t want to/feel able to evaluate other students.”  I lie in wait for this, and pounce on it, in a nice way: “Of course you shouldn’t do that: no human being has the right to evaluate another person!  This is about evaluating performance at a specific task.  But one reason performance evaluation is the most corrupt and incompetent function in almost any organization, and why people hate it and avoid it, is that it feels like evaluating people.  So we have to be careful not to use that language, even as shorthand.”

I distribute the first two survey results with some language reminding people that every group of people including Cy Young Award winning pitchers, Nobel Prize physicists, and even Berkeley students, has a top, middle, and bottom tercile on any given measure.  I offer “what can I do with this information?” advice, in the email, along the lines of “first, look at the people in the top tercile.  What are they doing?  Try it!  Second, look at the people lower in the list and see what you can do to encourage them to get in the game more.   Third, pick three people at random from the class, and take each one out for a latte in return for telling you two things they think you could do to get a higher score, and two things you should do even more of.”  I also cold-call people in the bottom tercile or bottom two quartiles, because plain shyness is often one component of not contributing, and a fair amount of this still water actually runs pretty deep.   I never cold-call enough and students are always grateful when I do it more.

From: https://tomprof.stanford.edu/

Sunday, January 29, 2017

cfp Edited Volume on the Intersectionality of Marginality for First-Generation College Students


We invite submissions for an edited volume aimed at first-generation students, faculty, student support services, and college/university administrators. Although many studies examine the academic experiences and challenges of first-generation college students, few analyze the complex, fragmented, competing, and often overlapping intersectionality of multiple identities: class, income, LGBTQ culture, race, ethnicity, disability, geographical location (rural and urban), citizenship status, and other aspects of human experience such as mental health and spirituality. Some identities are marginalized in different ways than others, or at different times. Some identities are invisible, whereas others are visually apparent to others. Our volume seeks to fill this gap in our understanding of the intersectionality of identities in first-generation student research.

The volume includes different sections with content geared toward undergraduate and graduate student readers, faculty, and staff. We are seeking two forms of submissions:

-      Personal narratives

-      Quantitative or qualitative research

Whether you submit a narrative or research essay, we seek perspectives from faculty, students, staff, and administrators who can offer insight from their own intersectionality of identities as a first-generation college student and as a member of at least one another marginalized group. We encourage scholars who are historically underrepresented, including but not limited to Hispanic, Black, Native Americans, LGBTQ, scholars with disabilities, and other marginalized groups to submit personal narratives and research.

General Guidelines for Narrative Submissions

Your submissions can be narratives from your own college experience as you negotiated multiple identities and perspectives as a first-generation college student. You might also focus on your experience as a first-generation faculty member, staff, or administrator.

General Guidelines for Research Submissions

We also seek research that examines student feedback about undergraduate or graduate programs that address multiple identities of first-generation college students. Data may be qualitative or quantitative. We are open to research from all disciplines.

Possible subtopics for research or narratives include – but are not limited – to the following intersectionalities of first-generation college students and:

-      race/ethnicity, class, income, and family

-      LGBTQ identity

-      disability, mental health, and chronic illness

-      spirituality/religious faith

-      immigration status and citizenship

-      geographical location (rural and urban)

-      the non-traditional student

-      insight for developing successful first-generation programs that address multiple identities

-      adjustment to campus life and college expectations: insight from current students about having a successful college experience/challenges

-      bridging the education gap in higher education

Narrative and research essays should be written for a general readership. This project would especially suit researchers who are on the tail end of a project, as we are requesting completed manuscripts by Friday July 14, 2017.

Potential contributors should send a biographical sketch (100-150 words) that explains how the intersectionality of marginality pertains to first-generation college students. For example, you might discuss your own identity in your narrative essay, or the intersecting marginalities of your research subjects. In addition to the bio sketch, please send an extended abstract (1,000-2,000 words). For research papers, your abstract should identify your study’s central research question(s), research method(s) and theories used, and findings or projected findings. Abstracts are due by Friday, February 10, 2017 to BOTH editors.

Manuscripts should be APA Style (6th edition) in in-text citation and reference list. Manuscripts should be no more than 20 pages, excluding reference list and footnotes.

Please send abstracts and questions and inquiries to BOTH editors: Dr. Vickie L. Harvey, Professor in Communication Studies, California State University, Stanislaus at vharvey@csustan.edu and Dr. Teresa Housel, Lecturer in the School of Journalism, Communication and Marketing, Massey University of New Zealand, at Teresa.housel@gmail.com.

Canadian Journal of Buddhist Studies 12 Call for Papers


Paul Crowe's picture Announcement published by Paul Crowe on Monday, January 23, 2017
Type:
Call for Papers
Date:
March 1, 2017
Location:
British Columbia, Canada
Subject Fields:
Religious Studies and Theology, Asian History / Studies
Canadian Journal of Buddhist Studies 12 Call for Papers

The Canadian Journal of Buddhist Studies, published by the David See Chai Lam Centre for International Communication, is a scholarly peer-reviewed, open access, online journal covering all aspects of Buddhist studies. The editorial board recognizes the inherently interdisciplinary and international nature of contemporary Buddhist studies and is open to submissions from scholars working in, but not limited to, anthropology, sociology, psychology, philosophy, history and religious studies. Articles may focus on any region or historical period. Scholars do not have to be affiliated with a Canadian university to submit.

The Canadian Journal of Buddhist Studies welcomes articles on classical textual and intertextual analysis, including work on hagiography, Buddhist art, ritual, doctrinal questions and lineage formation, and work on contemporary Buddhist communities concerning, for example, the implications of fluid demographic transformations, cultural hybridity, and challenges associated with communal continuity of praxis and doctrine in a context of global mobilities.

The Canadian context is a key concern of Canadian Journal of Buddhist Studies. However, global realities of migration, rapidly changing mass media and telecommunications, and the associated ascendancy of mobilities perspectives in the social sciences necessitate inclusion of articles on Buddhists in countries other than Canada.

CJBS is published annually and welcomes submissions at any time. Article review and copy-editing can take up to six months before publication.

The submissions deadline for the twelfth edition (2017) is March 1, 2017.

Article Submissions:

The Canadian Journal of Buddhist Studies accepts article submissions all year. Authors should send articles directly to Journal Manager, Ngoc LE at cjbs(at)sfu.ca. Please consult submission guidelines before submitting an article.

Book Reviews:

The Canadian Journal of Buddhist Studies does not accept unsolicited book reviews but scholars interested in writing a review are welcome to submit a curriculum vitae and to contact our Book Review Editor, Dr. Jacqueline Ho at jacquelinedho@gmail.com with expressions of interest in reviewing specific publications.

Canadian Buddhist Studies News Blog:

The journal is accompanied by a news blog, a platform for graduate students in the field to catch up with current academic conversations, discuss their researches and share experiences. It can become an effective conduit of communication concerning new courses, conferences and much more. If you are interested in becoming regular contributors to Canadian Buddhist Studies News or know any graduate students who wishes to contribute, please contact Ngoc LE at cjbs@sfu.ca.

You are also invited to join us on Twitter and Facebook.

Thank you for your interests in the journal and we hope to hear from you.

Contact Info:
The Canadian Journal of Buddhist Studies accepts article submissions all year. Authors should send articles directly to Journal Manager, Ngoc LE at cjbs@sfu.ca. Please consult submission guidelines before submitting an article.

Contact Email:
cjbs@sfu.ca
URL:
http://journals.sfu.ca/cjbs/index.php/cjbs/index

Gehrke on the Future of Public Speaking

From Review of Communication

Wm. Keith on Integrating Public Speaking and First-Year Composition

From Review of Communication

Friday, January 27, 2017

Communication Monographs, Volume 84, Issue 1, March 2017

Communication Monographs, Volume 84, Issue 1, March 2017 is now available online on Taylor & Francis Online.

Editorial
Making our research matter
Tamara D. Afifi
Pages: 1-4 | DOI: 10.1080/03637751.2017.1273645

Articles
Message fatigue: Conceptual definition, operationalization, and correlates
Jiyeon So, Soela Kim & Heather Cohen
Pages: 5-29 | DOI: 10.1080/03637751.2016.1250429

Compassion in the face of terror: a case study of recognizing suffering, co-creating hope, and developing trust in a would-be school shooting
Sarah J. Tracy & Timothy P. Huffman
Pages: 30-53 | DOI: 10.1080/03637751.2016.1218642

Social support and digital inequality: Does Internet use magnify or mitigate traditional inequities in support availability?
Stephen A. Rains & Eric Tsetsi
Pages: 54-74 | DOI: 10.1080/03637751.2016.1228252

How user comments affect news processing and reality perception: Activation and refutation of regional prejudice
Eun-Ju Lee, Hyun Suk Kim & Jaeho Cho
Pages: 75-93 | DOI: 10.1080/03637751.2016.1231334

Stereotype reduction through humor and accommodation during imagined communication with older adults
Chien-Yu Chen, Nick Joyce, Jake Harwood & Jun Xiang
Pages: 94-109 | DOI: 10.1080/03637751.2016.1149737

Religious rhetoric meets the target audience: Narrowcasting faith in presidential elections
Kevin Coe & Christopher B. Chapp
Pages: 110-127 | DOI: 10.1080/03637751.2016.1250932

The dynamics of polarization and compromise in conflict situations: The interaction between cultural traits and majority–minority influence
Jung-Hyun Kim & Jinhee Kim
Pages: 128-141 | DOI: 10.1080/03637751.2015.1075655

Thursday, January 26, 2017

Ben Fraser, "Essential Questions in Faith and Communication" webinar series, Friday, Jan. 27, 4-5 pm, EST


Please join the Christianity and Communication Studies Network (CCSN) (http://www.theccsn.com), Dr. Mark Fackler (moderator), and Dr. Ben Fraser, Associate Professor of Communication, Regent University, for the next installment in the "Essential Questions in Faith and Communication" webinar series on Friday, Jan. 27, 4-5 pm, EST. This webinar is free and open to the public and a great resource for faculty and students. A full description of the webinar is located here:  http://www.theccsn.com/essential-questions-series-special-guest-dr-benson-fraser/

You may register here:  https://attendee.gototraining.com/r/15178037860549122

Description: this 14th installment in the “Essential Questions in Faith and Communication Series” features Dr. Benson Fraser, Associate Professor of Communication, Regent University, Virginia Beach, Virginia. Join Dr. Fraser as he answers foundational questions such as: How do we define human communication? Why do we communicate? How do we communicate effectively? What’s wrong with human communication? What communication challenges does the Church face today? How does social media make communication better and worse? This webinar is free and open to the public.

Learn more about Dr. Fraser here:  http://www.regent.edu/acad/schcom/faculty/com/fraser/?dept=strategic_communication_journalism

Previously recorded CCSN webinars by Quentin Schultze, Bill Strom, Kevin Schut, Tim Muehlhoff, Paul Patton, Paul Soukup, Terry Lindvall, Calvin Troup, Bala Musa, Janie Harden Fritz, Diane Proctor-Badzinski, Bill Romanowski, Jen Letherer, Mark Ward, Jenni Sigler, Heidi Campbell, Bob Fortner, Naaman Wood, Stephanie Sandberg, Ken Chase, Gerald Mast, Annalee Ward, Greg Spencer, Dennis Smith, Terje Skjerdal, Mark Williams, Derrick Rosenior, Barbara Spies, and Monica Chibita are available for download here:  http://www.theccsn.com/category/webinars/webinars-recorded/

New book: Performative Citizenship. Public Art, Urban Design, And Political Participation


Edited by: Laura Iannelli; Pierluigi Musaro'

http://mimesisinternational.com/performative-citizenship-public-art-urban-design-and-political-participation/

The essays collected in this book adopt different disciplinary approaches to point out the forms of citizens' participation developed in the field of contemporary public art and urban design. From Sardinia to Queensland, New York to Bologna, Hasselt and Genk to L'Aquila, Rio de Janeiro to Utrecht, these essays analyze a variety of projects that deal with political conflicts of the societal life in the urban spaces, such as environmental risks and immigrant populations; propose diverse forms of citizensí participation in the representations of marginalized interests, values, problems, and needs; offer to citizens and policy-makers new ways of thinking about territory renewal; and aim to reorient the decisions taken in the field of institutionalized politics, either denouncing territory governance or supporting its improvement.

Cover: Paperback
ISBN: 978-88-6977-034-0
Pages: 230
Date: 2017
Price: $ 20.00 / £ 15.00 / E 18,00

TOC

Chapter 1
Laura Iannelli and Pierluigi Musaro'
Participation Matters. The Political Spheres of Public Art and Urban Design

Chapter 2
Nico Carpentier
The Concept of Participation:
If They Have Access and Interact, Do They Really Participate?

Chapter 3
Laura Iannelli and Carolina M. Marelli
Cultures in Action. Public Art and Political Participation

Chapter 4
Luca Massidda and Lorenza Parisi
Public Art 2.0? Exploring the Ambivalent Relationship Between Two Participatory Logics

Chapter 5
Pierluigi Musaro'
The Art of De-Bordering. How the Theater of Cantieri Meticci Challenges the Lines Between Citizens and Non-Citizens

Chapter 6
Andrea Baldini and Pamela Pietrucci
Knitting a Community Back Together. Post-Disaster Public Art as Citizenship Engagement

Chapter 7
Jhessica Reia
ëWe Are not a Protestí. Street Performance and/as Public Art in the City of Rio De Janeiro

Chapter 8
Antonello Mons˘ Scolaro
Participated Regeneration Processes of Abandoned Places: Experimentation in Sardinia (Italy)

Chapter 9
Nausicaa Pezzoni
Migrants Maps to Explore the Contemporary City

Chapter 10
Max Holleran and Samuel Holleran
Pop-Up Engagement. Design Thinking, Museum ëLabsí, and Urban Problem -Solving

Chapter 11
Ils Huygens
The Union Hasselt-Genk. A Case Study on Participation, Duration and Sustainability

Chapter 12
Danielle Arets
Prototyping Politics. Design for Voicing Conflicting Ideas and Interests

Chapter 13
Redirective Practice
Making an Age of Repair: Queensland. A Case Study of Participatory Process in Practice

Wednesday, January 25, 2017

cfp Billie Holiday Anthology


deadline for submissions:
February 20, 2017
full name / name of organization:
Embry-Riddle Aeronautical University
contact email:
ladydayanthology@gmail.com


CALL FOR PAPERS: A BILLIE HOLIDAY ANTHOLOGY



BILLIE 101: A Hundred and One Years of Lady Day, seeks abstracts for book chapters dedicated to the life, work and art of Eleanora Fagan, iconically known as (among other personae) Billie “Lady Day” Holiday. BILLIE 101 will speak to both scholarly and popular audiences. The anthology will include three sections: Performance (Vocal or Otherwise), History / Legacy (Will the Real Billie Please Stand Up), and Interpretations (film, print, and other media, social or otherwise). We encourage scholars, memoirists, and popular culture commentators willing to play with the image, the sound, and/or the history that continues to inspire the iconography of Lady Day. Chapters should make an argument about Billie’s songbook, historiography, or her fabulously mythical iterations. Chapters can also reflect the spirit of the jazz age, using improvisation to analyze how  Billie was perceived, and how she continues to set an unequaled standard in the history of the recorded voice. Interested potential authors should submit a 350-word abstract by February 20th to Jessica McKee and Michael Perez at ladydayanthology@gmail.com.



Some possible questions to consider:



1) What significant criteria define Holiday ’s legacy, and how does that comment on, or contribute to, our understanding of jazz, music, and/or American iconography?



2) How has Holiday ’s legacy evolved, and how does that evolution comment on what we think about women, African-American or otherwise, and what criteria seems to be most recognizable therein? What criteria is overplayed? What criteria is under-examined or underplayed?



3) How her legacy being fulfilled currently? In what mediums/genres/aesthetic realms?



4) What are the most significant Holiday performances and how do they arguably form a canon? (musical or media)



5)  What is new to the canon of Billie Holiday performances and/or legacy?



6) What elements repeat throughout iterations of Holiday on film? or on “record”?



7) What current media iterations of Holiday have made it into the digital realm?



8) How has Holiday been culturally appropriated (image, “history”, “biography”, popular American Songbook)?



9) What is unique about Holiday ’s performance of the Great American Songbook as opposed to, say, Ella Fitzgerald’s or Sarah Vaughan’s (or Rosemary Clooney’s)?



10) How does Billie’s performances extend or foster the blues tradition?



11) In what ways does Billie critique society? How can we hear covert messages or political undertones embedded in her songs?

CFP: Dad Writing


deadline for submissions:
January 31, 2019
full name / name of organization:
Intermezzo
contact email:
j.rice@uky.edu
Intermezzo, a digital longform publication - http://intermezzo.enculturation.net/ - seeks submissions that explore the role of dads in academic or scholarly writing.



Dad bods. Father knows best.  Cats in the Cradle.  Father of the Bride. The embarrassing dad. The absent father. There is no shortage of clichés, stereotypes, cultural representations, tropes, and ideas about dads. There is not, however, a significant body of academic writing on dads.



While a great deal has been written about academic life from the perspective of moms (particularly regarding the difficulty balancing work/life demands within a system that favors men), little has been written by academic dads about fatherhood. Is it possible to write about fatherhood – as an academic father or as an academic writing about one’s father –without pathologizing the narrative of children and their fathers? In addition to the popular, thematic focus of difficult father/child relationship narratives, are there other stories academics can tell about their dads, about others’ dads, or about being a dad?



Intermezzo seeks 20-80,000 word submissions that explore fatherhood from a variety of positions. Personal narratives. Popular fatherhood stories. Stereotypes and commonplaces. Experimental non-fiction. Visual narratives. There are many ways to conceive and perform dad writing. We welcome innovative approaches.



We are also interested in submissions which take advantage of organizational strategies print publications might not publish – such as the inclusion of audio, imagery, and video.



All work published with Intermezzo undergoes peer review. Intermezzo is committed to providing an outlet for essays too long for journal publication, but too short for monograph publication. Essays are published as open source, are registered with the Library of Congress,  and receive ISBN numbers.  They may include multimedia as well. Intermezzo expects to publish five new works in the next year and is one of the fastest growing outlets of alterative academic work.



Intermezzo is meant to be a venue where writers can produce scholarly work in unique ways, outside of institutional or disciplinary expectation, and it takes advantage of digital media as a platform for both content and distribution of timely topics.



Intermezzo accepts longform essays on a rolling submission basis, with no deadlines.



Please submit submissions, abstracts, or queries to



Jeff Rice

Series Editor

j.rice@uky.edu

cfp Archives, authority, aura: Modernism’s archival turn (Papers on Language and Literature Special Issue)

Archives, authority, aura: Modernism’s archival turn (Papers on Language and Literature Special Issue)

deadline for submissions:
January 31, 2018
full name / name of organization:
Naomi Milthorpe/University of Tasmania
contact email:
Naomi.Milthorpe@utas.edu.au
Special Issue Call for Papers

Archives, authority, aura: Modernism’s archival turn

Edited by Naomi Milthorpe, University of Tasmania

Deadline for submissions: 31 January 2018



The modernist scholar increasingly engages in work in the archive: engaging in minute and painstaking textual labour, seeking authority in manuscript papers and genetic criticism, or assisting in the opening up of modernist texts as part of digital humanities projects. We dig, pore, peer, and dust, seeking in the authenticity of the object an authoritative material basis for new readings. Thus our labour in the archive resembles sometimes archaeology as much as literary criticism. At the same time as archives are sites of solid physical slog, and of a stabilising foundation in materiality, they also seem to prompt dream-work. Manuscripts have aura; they are relics; they enchant us. Part of the enchantment of the archive emerges from its multiple narrative possibilities, as Alice Yaegar Kaplan suggests: will the researcher find herself in an epic, a gumshoe novel, or an adventure story? As a result, archive work proffers complex and multiple affective responses, and possesses, as Philip Larkin, once stated, a “magical value.”



This special issue of Papers on Language and Literature seeks case studies, narratives of material encounters, and close readings, in order to investigate and interrogate the recent turn to the archive in New Modernist Studies. The issue will aim to draw together central debates germane to both modernist studies and archival studies: from the opposition (and interrelatedness) of material and digital culture; the role of the author-figure in supporting manuscript studies; and the ethics and politics of the archival turn.



Papers may consider, but are not limited to, the following topics, approaches, and questions:

The author figure in modernist archival studies
Collection: processes, politics and practices
Material and digital archives
Aura, authenticity, and authority
The construction of authorial or scholarly identity through the archive
Official and alternative histories
Archives and everydayness
The archive as home
Do manuscripts still matter?


Papers should be approximately 6000 words long and conform to the 2008 MLA Style Guide. For queries or to submit a paper please contact the editor at Naomi.Milthorpe@utas.edu.au

cfp Morbid Fascination: Dark Tourism in the American West


deadline for submissions:
February 15, 2017
full name / name of organization:
Jennifer Adkison
contact email:
adkisoj@hsu.edu
I invite submissions to a book collection entitled Morbid Fascination: Dark Tourism in the American West.

Editor: Dr. Jennifer Dawes Adkison, Associate Professor of English, Henderson State University, Arkadelphia, Arkansas, adkisoj@hsu.edu<mailto:adkisoj@hsu.edu>

Overview:

Places of death, suffering, and disaster compel our attention; they both intrigue and repel us. Morbid fascination draws tourists to sites as diverse as Pompeii, Auschwitz, and Chernobyl. A growing body of scholarship considers the impulse to visit these places of misfortune and catastrophe and, especially, the mediation and shaping of these sites into touristic destinations. Much of this work, however, has focused on places outside the geographical boundaries of the American West. This collection of essays aims to expand our understanding of Dark Tourism within the context of the West. I invite proposals exploring a range of Western Dark Tourism sites and topics.

Submission details: Proposals for submissions to this collection should include a title, contact information (email, phone, address, including preferred means of contact), and a 500-word abstract. Proposals are due via email to adkisoj@hsu.edu by February 15, 2016. I welcome queries and questions.

cfp Critical Insights: Civil Rights Literature, Past & Present


deadline for submissions:
February 1, 2017
full name / name of organization:
Christopher Allen Varlack, UMBC
contact email:
cvarlack@umbc.edu
From its flawed notion of "separate but equal" to the rampant violence against black bodies throughout the twentieth century, the United States faced a clear racial divide perpetuated by its Jim Crow culture and the disenfranchisement of blacks. In response, on August 28, 1963, noted American civil rights activist, Dr. Martin Luther King, Jr., delivered his iconic "I Have a Dream" speech on the steps of the Lincoln Memorial, urging radical social and political change in a society marred by a rich history of segregation and discrimination. Since then, we have recognized this speech as a symbol of the enduring struggle for equal civil rights and the pursuit of the core values upon which the United States was based. The 2015 Cambridge Companion to American Civil Rights Literature offered an updated examination of works such as King's, bringing the discussion of the Civil Rights Movement and its seminal texts into the twenty-first century. However, this collection of scholarly essays has not gone far enough.

To recognize that struggle and the literature produced in response to the trials of the time, Critical Insights: Civil Rights Literature, Past & Present (forthcoming from Grey House Publishing in Spring 2017) seeks contributions from emerging and established scholars alike in order to expand the conversation of American civil rights literature into the present day. While the Civil Rights Movement covered the period from 1954 to 1968, this edited volume seeks to push beyond that limited period, encouraged by the current efforts as well, such as the Black Lives Matter Movement, and their recognition that the fight for increased civil rights did not end in the 1960s but is still ongoing in the social, political, judicial, and educational sectors even today. In particular, we need to fill an essay related to the LGBTQ experience in a seminal text (or texts) of American literature.

Accepted projects ultimately will consider a diverse range of works of the era, including speeches, essays, autobiographies, novels, poems, and plays to offer a more representative inquiry into the subject of American civil rights literature. All articles must engage primary and secondary source material, following MLA format. Accepted articles will be between 5000 and 6000 words total, including endnotes and the Works Cited page. Authors must also submit a biographical statement, and abstract along with their final draft. For this work, accepted authors will receive a copy of the published collection, a $250 stipend, and a discount toward additional copies of the volume.

Please submit completed or near-complete drafts to cvarlack@umbc.edu as a Word attachment no later than February 1, 2017. The volume editor, Christopher Allen Varlack, will confirm receipt via E-mail. Thank you for your time and consideration.

Best,
Christopher Allen Varlack
Department of English
University of Maryland, Baltimore County
1000 Hilltop Circle
Baltimore, Maryland 21250

Superman: The Persistence of an American Icon

Rutgers University Press will publish Superman: The Persistence of an American Icon.

https://supermanpersistenceofanamericanicon.com/

Rhetoric Society of Europe

Dear members of the Rhetoric Society of Europe,

We present to you the first newsletter of 2017. We have a new featured publication,  written by RSE-members Sine Nørholm Just and Kristine Marie Berg, from the Copenhagen Business School and the University of Copenhagen.

***
RSE 2017 CONFERENCE UPDATE
The RSE 2017 conference has sent out its notifications on submitted papers and panels and are now working on program and panel composition.For those of you who are planning to attend the conference, the conference webpage will be updated as the information is ready.

In the meantime, it is possible to register for the conference by going  here, where you can also book a place at the conference dinner and on-campus accommodation (click the “Programme” tab for details). Alternative on-campus accommodation is available at a Bed and Breakfast called Broadview Lodge (click the “Contact” tab for details). You may prefer to stay in the city (from which the University is easily accessible) and the conference webpage has links to information about hotels and B&Bs in the City, about traveling to Norwich and local tourism.  
The deadline for general registrations for the conference is June 12th. However, so that we can confirm and print the conference programme we ask that those presenting papers register by March 31st.  

***

In addition to other calls, conferences and publications, we've talked to RSE board member Anne Ulrich.
If you have any news that you’d like to share with the members, please just let us know!
Best wishes,
Magnus Hoem Iversen

on behalf of the Newsletter Team of the Rhetoric Society of Europe

Featured publication
New publication from Sine Nørholm Just (Copenhagen Business School) & Kristine Marie Berg  (The University of Copenhagen) in Rhetoric Society Quarterly:


RSE member: Anne Ulrich
Dr. Anne Ulrich is a Postdoctoral researcher at the Collaborative Research Center "Threatened Orders: Societies under Stress" and member of the Institute of Media Studies, University of Tübingen, Germany. From 2004 to 2015, she was a Ph.D.-student and later lecturer at the Institute of Rhetoric at the University of Tübingen.

Why are you interested in the study of rhetoric?
Rhetoric is fascinating because its focus on the power of logos and its capacity of shaping the world is unique, and can be applied to a myriad of historical and contemporary sources. Very different objects of study can be examined with regard to persuasion, credibility, argumentation or style. In our current media or information age, these questions are becoming ever more relevant; that’s why I am mostly interested in the mutual relations between rhetoric and media, i.e. the rhetorical dimensions of media and mediation.

What are your main research interests?
In my current project, I’m examining the different medialities of “threat communication” and the way our notion of ‘media’ has changed in the fifteen years since the terrorist attacks on September 11, 2001. In my former work I studied visual rhetorics and the re-conceptualization of ‘ethos’ against the backdrop of contemporary television journalism as well as the rhetorical dimensions of television as a medium. I am also interested in the changing faces of political rhetoric and propaganda in the digital age.

What is typical for the way rhetoric is studied at your university?
The University of Tübingen hosts the only institute for the study of rhetoric throughout Germany. Therefore, rhetoric is studied very broadly here. Although the extraordinary significance of the classical tradition is acknowledged both in the studying and the teaching of rhetoric, most members of the institute focus rather on contemporary questions, such as visual rhetoric, media rhetoric, propaganda and persuasion, or rhetoric in the knowledge society. Typically, they take key concepts from ancient rhetoric (e.g. Aristotelean categories) as a starting point, and translate or update them on the basis of contemporary, often interdisciplinary, research on the subject. Recently, there have been increasing efforts to integrate psychological research and empirical methods into this research design.

Why did you join the RSE and what do you think is most important for the society?
Basically, I joined the RSE out of scientific interest and curiosity. How is rhetoric being studied in other European countries and beyond? What can I learn from different approaches? The biennial conferences of the society provide excellent opportunities to connect with other researchers and to exchange ideas. But I think that we still need to intensify our cooperation. I’d like to ask our members to share more information with us and to make the website as well as the newsletter a vital source for all kinds of news concerning rhetoric in Europe and beyond. Meanwhile, we have to work on the question of membership fees and on the foundation of a peer-reviewed journal that would foster the visibility and importance of rhetoric in Europe and beyond.

What is your favorite rhetorical resource?
A resource I regularly turn to is the “Historisches Wörterbuch der Rhetorik”. With its 10 volumes and more than 1.300 articles, it answers most questions about the history of almost every theoretical concept or phenomenon. Although in German, it presents an excellent starting point both for rhetorical theory and analysis, and draws upon international research.

A somewhat time consuming, but fascinating and entertaining, source of inspiration are TV series featuring political rhetoric. Starting with The West Wing several years ago, I developed a both professional interest as well as personal passion for political TV series and the way they celebrate or satirize political communication and rhetoric (the latter is true for, say, the hilarious shows Yes, Minister, The Thick of It, or Veep). I particularly ‘liked’ an episode from the Danish show Borgen in which a rhetoric professor joins the staff around Prime Minister Birgitte Nyborg – only to be fired at the end the episode because of his purely theoretical, elitist and unproductive efforts. It is not least because of this cliché, that we need the RSE to show that rhetoric, as a mode of thought, as an academic subject, and as a communicative practice, is not solely about abstract concepts. On the contrary, it is always oriented towards and situated within contemporary society.


Members announcements & other news
SOON DUE: Call for papers for Argumentation and Advocacy: Political Campaign Debates in the 2016 Election. Click here for details. Deadline: 1 February, 2017.

SOON DUE: Call for papers for Rhetoric Society Quarterly: RSA 50th anniversary issue. Click here for details. Deadline: 6 February, 2017.

Call for papers for workshop on Diverse organizing/organizational diversity – Methodological questions and activist practices. Copenhagen Business School, Copenhagen, Denmark, May 2-3, 2017. Click here for details. Deadline: 15 February 2017.

Call for papers for Res Rhetorica: Deliberative Rhetoric. Click here for details. Deadline: 17 February 2017

Call for papers for ALTA Argumentation Conference. Utah, USA, July 20-23, 2017. Click here for details. Deadline: 24 February 2017.

Call for papers for 1st International Conference on Marketing (as) Rhetoric. Bournemouth University, U.K., June 14th 2017. Click here for details. Deadline: 14 March 2017.

Call for papers for Res Rhetorica: Rhetoric of Religion. Click here for details. Deadline: 31 March 2017.


Join the RSE Facebook group
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Tuesday, January 24, 2017

NYU Books on Race

“In her work, Managing Inequality, Karen R. Miller unearths the roots of modern colorblind discourse.”
American Historical Review
Order Now
"A skilled ethnographer, [Su'ad Abdul Khabeer] combines her poet's ear and thorough research in prose that flips the script on the anti-Black, anti-Muslim sentiment."
Ebony
Order Now
"Beautifully-written and insightful, How to Read African American Literature reinvigorates black feminist critique and queer literary studies. Aida Levy-Hussen’s vision of the field of African Americanist literary criticism and its problems is startlingly lucid, precise, and attentive to the nuances of its various texts both fictive and scholarly. A model of critical writing, and of how to read.” 
—Darieck Scott, author of Extravagant Abjection: Blackness, Power, and Sexuality in the African American Literary
Order Now
"A bold indictment of the intellectual inflexibility that informs mainstream discourses on Blackness and the politics of difference, Archives of Flesh holds its own as a polemic by one of our most famous and respected contemporary scholars.”
—Michelle Wright, author of Physics of Blackness: Beyond the Middle Passage Epistemology
Order Now
“A gripping read and a rousing call to political attunement by way of sound, The Sonic Color Line investigates scenes of racialized audition from Civil War times to the Civil Rights era. This theoretically rich and passionately argued book made me wiser about the social relations that define sound, the resonant events that suggest how the ear is disciplined, the racial politics of listening that extend into every corner of the republic.”
—Eric Lott, City University of New York Graduate Center

In the Postmillenial Pop Series 
Order Now
“Brilliant in its dramatic sweep and analytic nuance, Strange Fruit of the Black Pacific is a bold examination of the intersections between African American and Asian American cultural production as they emerge from competing imperialist discourses. Schleitwiler’s approach is groundbreaking, synthesizing a remarkable range of texts to provide unexpected and evocative conclusions.”
—Helen Jun, author of Race for Citizenship: Black Orientalism and Asian Uplift from Pre-Emancipation to Neoli
Order Now
“Provocative and well-researched, The Cultural Politics of US Immigration analyzes the public sentiment, congressional discourse, and cultural politics surrounding immigration reform. Methodologically innovative, Leah Perry pulls multiple disciplinary threads in order to produce a unique paradigm for studying the relationship between popular culture and public policy.”
—Isabel Molina-Guzmán, author of Dangerous Curves: Latina Bodies in the Media
Order Now
Whiteness on the Border explores the vexed ways in which white identity in the U.S. has historically been forged in opposition to a Mexican ‘other.’  Displaying mastery of the intellectual traditions of critical whiteness studies and Chicana/o studies, Lee Bebout draws deftly on complicated concepts to show that while there is always racism, there is never only a singular homogenous racism, but instead many differentiated and tactically deployed racisms. Brimming with exceptional critical acumen, Whiteness on the Border will be a book of significant impact and influence.”
—George Lipsitz, author of How Racism Takes Place
Order Now

Listening Education Online Journal Table of Contents

This publication is available to ILA members. If you are not a member, you are welcome to join – just click this link www.listen.org/join.

LE 2017-Vol 7; issue 1

Teaching Listening in the Classroom: Found Sounds, Charles Fischer, Danny Combs; pp. 5-12
Listenability: A Missing Link in the Basic Communication Course Andrew D. Wolvin; pp. 13-20
Listening Centered Basic Course Design, Mary P. Lahman; pp. 21-25

New Book Announcement: Groundwork for the Practice of the Good Life: Politics and Ethics at the Intersection of North Atlantic and African Philosophy

New Book Announcement: Groundwork for the Practice of the Good Life: Politics and Ethics at the Intersection of North Atlantic and African Philosophy

Dear colleagues,

I would like to announce the publication of my book, Groundwork for the Practice of the Good Life: Politics and Ethics at the Intersection of North Atlantic and African Philosophy.

Here is the link to the book:

https://www.routledge.com/Groundwork-for-the-Practice-of-the-Good-Life-Politics-and-Ethics-at-the/Ochieng/p/book/9781138204393

There's also a "Look Inside" link that lets you read the first few pages of the book on the Routledge website:

https://www.book2look.com/embed/NyXhYUY5L6&euid=0&ruid=0&referurl=www.routledge.com&clickedby=H5W&biblettype=html5

I would be grateful if you would request your library to order a copy. Many thanks.

Dr. Omedi Ochieng

Denison University

Wm. Keith on Instructors in the Basic Course Ecology

From Review of Communication

Wm. Keith on Students in the Basic Course Ecology

From Review of Communication