Articles
‘Uurga shig’ – What is it like to be a lasso? Drawing figure–ground reversals between art and anthropology
Hermione Spriggs
The curator, the investor, and the dupe: Consumer desire and Chinese Cultural Revolution memorabilia
Laurence Coderre
Old things with character: The fetishization of objects in Margate, UK
Ana Carolina Balthazar
The museum’s lexis: Driving objects into ideas
Gabriela Nicolescu
How khipus indicated labour contributions in an Andean village: An explanation of colour banding, seriation and ethnocategories
Sabine Hyland
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